My
first encounter with Dave Steward, guitarist and vocalist of
many genres, dates back eight years ago, just before I officially
moved to Moab. I was looking for someone to play at my impending
wedding, and whenever I asked anyone in town to recommend a musician,
Dave’s name kept coming up. Unfortunately, his contact
information was less easy to find, and in true Moab-style, my
only hope was to leave messages at the co-op. We never connected
at that time, and we settled for recorded music at our wedding
celebration. My husband, Gen, an accomplished jazz trumpeter,
did play two unaccompanied songs for me. This introduction, or
lack of, to Dave amuses me today since he and Gen currently play
jazz duets together on a weekly basis.
Through the winter, this duo can be found nearly every Sunday morning
at Arches Book Company playing old jazz standards, such as “Ain’t
Misbehavin’” and “Someone to Watch Over Me”.
These two musicians are classic Moab finds, whose talents far exceed
their renown and the level of playing one would expect to find
in a small, rural town in southern Utah.
When people recommended Dave to me eight years ago, I had no idea
what to expect, and after failing to get a response from him, my
expectations probably took a turn for the worse. I figured he was
probably either arrogant or not particularly talented, or perhaps
both. Now that I’ve both heard his music and met him, how
far from the truth my expectations were.
Apart from being a genuine, unassuming person whose pleasant to
converse with, Dave is an accomplished guitarist in a variety of
genres, from rock to country, from classical to jazz. He says with
a wry smile that “I’m mediocre in a lot of things,” but,
in fact, he is very adept at all.
He clearly has a passion for music, but his beginnings in the art
were less than illustrious. He began taking guitar lessons at the
age of seven, but his teacher soon forced him to quit because he
wouldn’t practice. Perhaps this was the greatest lesson of
all, since once he took up the guitar again at ten years old, he
continued playing.
His first forays into both playing the guitar and singing were
in rock-and-roll, and that is still the genre that primarily defines
him as a musician. Having grown up looking up to singers like David
Cassidy and Donny Osmond, Dave has been in various rock groups
since the seventh grade.
In Moab, he helped found The Remnants, who self-produced a CD available
at Sgt. Peppers Music, and the Space Cowboys. Providing vocals
and guitar, Dave’s bands were playing at The Rio since the
late ‘80s until a few years ago.
In 2002, he became a member of the Bar-M Chuckwagon group, dressing up as a gunfighter
and performing old country ballads. The transition to this phase was serendipitous
enough and fits into the traditional Moab story. Because artistic opportunities
are somewhat limited in a small town, one takes what one can get, and the unexpected
occurs.
River companies were being asked to provide a singing cowboy for entertainment
by overseas tourists who came with preconceived notions of The West. Although
Dave sported dreadlocks down to his waist, his musical talents were well-recognized
and he played for outfits like Tagalong and Adrift Adventures. These performances
provided the segue into country music and a permanent gig with Bar-M, which lasted
four seasons.
Having always been interested in a diversity of genres, Dave had dabbled in jazz
and classical guitar beginning in high school. Finding the theory of jazz demanding,
he soon lost interest in playing it, but did pursue an interest in Classical,
really “sinking my teeth into Bach Suites,” as he puts it. He also
spent a year in Hollywood studying at the Guitar Institute of Technology, which
probably helped solidify his understanding of musical theory.
Because jazz is so much about bending the rules with improvisation, it requires
knowing the rules, or theory, pretty comfortably. Dave’s forays into Classical
ripened his abilities to go back to playing jazz when the opportunity came up
to form the Moab Jazz Quintet. When that group disbanded a couple of years later,
he hooked up with Gen, who had spent the last five years playing jazz standards
in town with another guitarist. Dave also sings, adding his soulful voice to
the guitar and trumpet duets. The duo can be found enlivening Sunday mornings
at the local book/coffee shop, Arches Book Company, and find opportunities to
perform at private functions.
If Dave were not so attached to this small community, his talents would have
probably taken him far, both in geography and success. Fortunately for music
lovers in Moab, he has stuck close to his adopted home. Though he still gets
the jitters before any performance, he takes any opportunity he gets, resulting
in a diversity of venues that include smoky bars, the great outdoors and cozy
coffeeshops. The variety of places is only outpaced by the diversity of styles
Dave plays.
If someone were to ask me today whom I would recommend to play at his or her
wedding, I’d happily provide Dave’s name, and fortunately, some concrete
contact information. I understand why his name kept popping up when I was looking
for a musician, and when I listen to him play, I still regret that I didn’t
locate him before my nuptials (the only regret I have about that day). On the
other hand, I’m leaning towards throwing another party to celebrate keeping
our vows, and this time I’d be sure to engage Dave, and his partner too.
If you would like to contact Dave Steward, he can be (easily) reached at (435)
259-1643, or you can catch him playing and singing jazz duets with Gen on trumpet
at Arches Book Company (78 N. Main Street) most Sunday mornings, from 10:00 a.m.
to noon.
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